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MIKEY DE LA SOUL & CO

by MY LATEST DEBUT

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1.
SOMETHING SNEVER CHANGE? 02:34
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2.
FUCKIN' BETSY ROSS FUCKING EXCUSES?? (SEE??? {C}) 02:44
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3.
STATE TROOPER GETS ON THE PHONE WITH THE COPS (SEE?) 02:24
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4.
ST. SAT C (SEE??) 01:39
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5.
REVELATIONS (YOUR ASSCRACK IS SHOWING) 03:42
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about

LOOKS LIKE I WROTE A WHOLE ASS DESCRIPTION OF THIS LIKE SOMETHING WITH BREATH WOULD GIVE A FUCK HAHA ANYWAY DON'T READ IT OR LISTEN TO THIS. NOBODY CARED THEN AND THEY WERE RIGHT NOT TO LOL MEMES.

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VINTAGE EP FROM 2 DECADES AGO! Songs written in 2009 (except track three which was written sort of on the spot when and where this was recorded in January 2013).

I only put this up because everytime I log into bandcamp I'm automatically redirected to an account I made for it years ago, so I decided to copy and paste everything here.

This is the closest real attempt at forgetting my flash cartoon series making roots, recognize the living hell of my/our surroundings, and be a straightforward musician - it's also the only thing here that wasn't done by myself on a laptop. I'll never forget showing up to record that day without a clue about what I was going to do, not having ever had regular access to a functional instrument or a place to practice, and still don't. I was scheduled to drive a cab somewhere in NJ and as I type this in January 2021, little has changed aside from being settled somewhere for a while which turns out to be more of a nightmare "shithole" (as opposed to the personal nightmare/"shithole" I came from).

I think my initial reaction in the studio was to draw silly pictures on leftover pizza plates. I recorded the vocals a year later after my car broke down in the Holland Tunnel, and eventually dying in a random parking lot in Cliffwood Beach NJ - incidentally behind the cracked out apartment complex I lived in ten years before THAT, where I began my "career" of uploading bad music to an audience of 1.4 people in the 00's.

Luckily in the 8 years that passed, I've become an extrovert that connects with people within seconds as opposed to the absolute freak I was in my teens and 20's. I made these, and every single other one of the recordings on this Bandcamp.com page accessible tonight soley because I'm an alcoholic.

The point is, be sure to write a review about this while sitting cross legged in front of a fake fireplace.

I love you, too.

Cheers,

Mike Da Front Desk Clerk

credits

released March 4, 2013

Produced by Scott Andrews and Max Kagan at the ol' The Silent Barn in Brooklyn,USA. Vocals and additional file exporting done via a '96 Ford T-bird by my young ass.

Scott plays drums on 2, Max plays bass+drums on 4. Haha right?

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MY LATEST DEBUT Portland, Oregon

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